When we discussed the Year in Review issue it seemed like it would be a natural to write a list of people in webcomics for the year. But what to call it? Most of the time when media magazines talk about people in film, television, music or what-have-you, they can call their articles "The Power List..." or the "The It List..." because, well, those media have power and star power. Webcomics have those things, but alas, still in smaller quantities.

It's also harder to judge the apples and the oranges of creators, publishers, innovators and thinkers in the emerging world of webcomics. There are simply too many business models, too many artistic and creative directions to pursue. We also had to consider that we wanted to recognize people primarily for their impact in 2004, but many people have had such a tremendous impact before 2004 that they continue to have a big impact even if they didn't raise the bar for themselves significantly this year.

All of which is to say that there is no easy way to name this list, or more importantly, why we included some on it and left off others. It is even harder to attach much importance to the order of the list as all of the people on it have contributed mightily to webcomics this past year. All of the people on the list, in their own ways, were just plain cool to watch this year.

Although we were not able to track everyone down for an interview for this piece, we did talk to most about the highlights of 2004 and their plans for 2005. So without further fanfare, check out the List for 2004.

As 2004 packs its bags and prepares to turn over the keys to the new year, we thought we would take this opportunity to look back at certain significant or just really amusing webcomics-related news stories throughout the year.

If we missed your favorite event, feel free to add your own thoughts.

A Farewell to Arse

Well, I'm packing it in. It's been a year of columnizin' here at Comixpedia, and while in some ways there are more things to be said, basically it was a long year of saying the same thing over and over again.

And my name's not Dalton Wemble. Like that wasn't obvious.

Do you know something? "Year in Review" columns are a bitch and a half to write.

It's not that things didn't happen this year. Tons of things happened this year. Strips started and strips ended. Grand plans were launched and grand plans failed and -- every now and again -- succeeded. Arguments were launched and flamewars fought and webcomics were turned onto their head nine or ten times.

And sitting here in front of the Smith Corona, I have trouble recalling any of these things.

The Collective Convective

Keenspot and Modern Tales were Big Panda’s most influential descendants, at least as of late 2004. But they were far from the only ones. As the number of webcomics continued to grow, the formation of collectives became as easy as the joining of bubbles in a bathtub. And like bubbles, they defied attempts to keep track of them all.

But categories began to emerge: (1) dropdowns, (2) kaffeeklatches, (3) showcase hosts (closed and open), (4) subscription sites, and (5) one pay-per-view store.

These collectives are worth studying, both in success and in failure, for every success shows where webcomics may be heading and where they may not be heading.

The Beginnings of a "Modern" Age?

Conventional wisdom held, as late as 2001, that the only sustainable economic models for online comics were ad-based. Either the comic carried advertising in some fashion, or it was itself an advertisement for its own merchandise. Pay-to-read models were mostly based upon speculation and mostly spectacularly unsuccessful. Even Scott McCloud found his position as comics pundit threatened over his endorsement of micropayments.