George Curtis
George Curtis stumbled onto webcomics around 1996, and to date has over 100 titles in his personal bookmarks file, attesting to his love of the medium. Aside from his love of webcomics, his interestes include scale modelling, computer tech and being an avid collector of movie and anime memorabillia.
The Code to Opening Up God Mode: An Interview with Ryan Kerns
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God Mode is a relative newcomer to the field of gaming webcomics and one would think that a person would have to be crazy to start yet another one, but there is something inherently different about God Mode. I was lucky enough to catch up with the man behind the madness, Ryan Kerns, just days before he left for Japan (lucky sod!) to get his reflections on why God Mode, why now and what his nefarious ends are in this gambit for your reading time.
George Curtis: Ryan is there anything you would like Comixpedia's readers to know about you before we get into the interview?
Questionable Creator: George Curtis Interviews Jeph Jacques
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With March being the "music issue" one of the first people we thought about was Jeph Jacques, the creator of Questionable Content. We first interviewed Jeph for Comixpedia way back in August 2004 for our "new blood" issue. Needless to say, it was cool to quiz Jeph about his work and its progression since his last interview with us.
The Fourth Toon Teller Rides Into the Sunset?
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One of the first creators to appear on the free hosting service Keenspace and more recently published on the webcomics granddaddy Keenspot, Brandon "Scrubbo" Sonderegger recaps a life in webcomics with contributor George Curtis.
Two Reviews in One: Man-Man and Sarah Zero
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It's short attention span review theater this week with two short reviews - Justin tackles Man Man by Matt Shepherd and James Duncan and George tackles Sarah Zero by Ace Plughead.
It's a Man's Man's Man's World
Man-Man, created by James Duncan and Matthew Shepard is a…different kind of superhero webcomic. It is a parody of the typical superhero genre, and of itself as well. Man-Man does not take itself seriously, which is one of its greatest strengths.
