When ComixTalk head honcho Xaviar Xerexes (a.k.a "Tha Tru Triple X") mentioned that he wanted to see articles on the Eisner Award nominees, I slobbered at the chance to review one particular title, SugarShock!  Why, you ask? It's because this little series is written by a somewhat popular guy by the name of Joss H. Whedon.

In this review, El Santo takes a look at Sarah Ellerton's The Phoenix Requiem, a beautifully illustrated tale set in 19th Century England about a mysterious stranger who stumbles into an idyllic village.

Late last year, my girlfriend and I took a nice roadtrip down the 101 to that City by the Bay, San Francisco. One of the many sights I wanted to see was Haight-Ashbury, the geographical flashpoint of the 1960's hippie movement. I was a little disappointed with what I saw. Haight-Ashbury was a rundown little ghetto frequented by people who may or may not be homeless. There were some colorful murals here and there, but nothing you couldn't see in some of the skeezier neighborhoods of Flint, Michigan. Haight-Ashbury was gritty, uncharacteristically quiet for a San Francisco district, and, most depressing of all, it failed to live up to the vibrant personality created by its own mythology.

What did I expect to see? Probably something like the town depicted in Templar, Arizona, a webcomic written and illustrated by Charlie "Spike" Trotman.

Larry "El Santo" Cruz takes a look at Aaron Diaz's too-surreal-for-you webcomic, Dresden Codak.