Submitted by Xaviar Xerexes on January 28, 2005 - 11:54
Here's an interesting thread about how to get on Keenspot that veers off into discussion of why some Keenspot webcomics do better then others. THE O'XEREXES FACTOR: Here's my NO SPIN OPINION for the day - Carson Fire should move Elf Life to Graphic Smash or Modern Tales. Elf Life is more like an independent movie than a blockbuster and needs an environment that will help to nurture it and maybe put a few nickels in his pocket in the meantime.
And now on with the news...
Have I mentioned that I love roundtables? See, all you need to do is think of four or five good questions and ask them to some of the foremost talents in webcomics today, many of whom are surprisingly willing to share their wisdom. Then just sit back and let the intellectual capital flood in. Itâ€™s a great racket.
This roundtable, incidentally, is about humor.
Submitted by Xaviar Xerexes on December 17, 2004 - 16:02
T Campbell and Gisele Lagace announced today that Penny and Aggie will appear in books to be published by Alias Publishing, a new imprint started by Mike Miller and Brett Burner to act as an umbrella for individuals and studios who want to be a part of something bigger than themselves.
Alias launches in April, 2005. More details on their launch plans are at Newsarama.
As 2004 packs its bags and prepares to turn over the keys to the new year, we thought we would take this opportunity to look back at certain significant or just really amusing webcomics-related news stories throughout the year.
If we missed your favorite event, feel free to add your own thoughts.
The Collective Convective
Keenspot and Modern Tales were Big Pandaâ€™s most influential descendants, at least as of late 2004. But they were far from the only ones. As the number of webcomics continued to grow, the formation of collectives became as easy as the joining of bubbles in a bathtub. And like bubbles, they defied attempts to keep track of them all.
But categories began to emerge: (1) dropdowns, (2) kaffeeklatches, (3) showcase hosts (closed and open), (4) subscription sites, and (5) one pay-per-view store.
These collectives are worth studying, both in success and in failure, for every success shows where webcomics may be heading and where they may not be heading.
The Beginnings of a "Modern" Age?
Conventional wisdom held, as late as 2001, that the only sustainable economic models for online comics were ad-based. Either the comic carried advertising in some fashion, or it was itself an advertisement for its own merchandise. Pay-to-read models were mostly based upon speculation and mostly spectacularly unsuccessful. Even Scott McCloud found his position as comics pundit threatened over his endorsement of micropayments.
Submitted by Xaviar Xerexes on December 3, 2004 - 13:52
In contrast to novel approaches to selling comics in the newspaper space from Scott Kurtz and Keenspot, T Campbell explains why he is interested in the more traditional syndication model for Penny and Aggie.
Submitted by Erik Melander on December 1, 2004 - 20:02
When I first did one of these "looking back" thingies I knew that it was likely that there would be months when nothing much happened, or perhaps at least nothing major happened. I am also willing to admit that I've been pandered with the news available for September and October. Enter November. And mind you, I'm not saying nothing happened in November, just that not a lot of similar or connected things happened. Still when reality lets you down, make things up. So sit back and enjoy a ride on the Apophenia railroad, next stop Speculationville.
A lot, most probably, of the creators of webcomics are happy amateurs, they write and draw comics because they enjoy it and because they have stories they want to tell. Some, however, have loftier dreams, they dream of print. I imagine that those are also the creators who dream of making comics their dayjob, but I may be wrong. Two news items from the beginning of the month made me contemplate the goal of webcomicers. The first was that Amber "Glych" Greenlee's No stereotypes got a publishing deal with Sonic publishing, the second was that Dave Johnson's Dog complex got picked up for online syndication on Universal press' Ucomics, not quite newspaper syndication, but a step on the way. I'm probably stating the obvious by saying that print, be it as a collection or as newspaper syndication is the holy grail for most webcomic artists that want to make comics their career.
This was once again brought forth when T Campbell and Gisele Lagace's Penny and Aggie left Modern tales for Comics sherpa as a first step towards traditional newspaper syndication. Now, no-one can accuse T Campbell of being a webcomic luddite, he has two other strips on Modern Tales sister site Graphic smash, but it is clear from a post on the Penny and Aggie board that he is not a believer in the syndication schemes put forth by Keenspot and Scott Kurtz. It seems that no "look back" is complete without linking to Websnark (I actually can't remember if I linked to him in the October look back, if not I'll buy Burns a beer if we ever meet, since I live in Sweden I'll categorise that as doubtful). I imagine that most people reading this has already read Burns' essay on the syndicated cartoonist's view of Kurtz and Keen. If you haven't read it I implore you to do so. Don't bother finishing reading this thing, you can come back to it later.
The point I'm trying to make (or think I'm trying to make) is that if online and print is going to clash it won't be in comic book stores or the graphic novel section of Barnes and Noble, it will be in the funny pages. Perhaps I'm wrong about syndication as a goal, I once again refer you to Burns and his comment on Penny and Aggie:
These days... there's a real feeling on the web that syndication isn't needed, that it isn't even desirable -- that if you syndicate, you lose control over your creation and your licensing and you undergo restrictive editorial oversight. It's almost odd to see a couple of webcartoonists saying "hey, I want to be in the newspapers. I want to get paid for this -- paid by someone else, someone who isn't me doing all the grunt work -- and get the exposure of hundreds of newspapers printing my work."
This opinion is certainly present in the replies to Campbell's post. But I also note that before launching his free syndication scheme Kurtz did negotiate with Universal (I believe it was) about syndicating PvP the traditional way and Tatsuya Ishida is now up to 11 rejections by syndicates. Perhaps the old syndication model is dying, but it's not going to go peacefully.
And to end with something complete (or almost completely) different I note that Michael Jantze's The Norm now has 2431 members, but has extended the deadline to reach the 4000 needed for Jantze to keep it alive to December 31st. Jamie Robertson (Clan of the Cats) has 191 of the 200 needed to keep his comic alive.
Oh and the next time we take a look back it looks like it will be in the form of a real Comixpedia column, I suppose that will mean that I will have to try to actually make some sense instead of these stream of consciousness posts.
Submitted by Erik Melander on November 30, 2004 - 08:51
Submitted by Xaviar Xerexes on November 24, 2004 - 13:53
Check out Meetup.com to get the details on the next meeting of the Washington Webtoonists. This group just got started by T Campbell this fall and seems wide open to become whatever local webcomic creators want it to be.
UPDATE: Okay, I'm confused - is the NoVa group the same as WW or a different group? NoVa is meeting December 1st in Manasas. WW is meeting December 7th in Fairfax. I guess they're different!