Submitted by Delos on January 19, 2009 - 10:00
This is a bonus Strip News, filled with all of the goings-on and derring-do of the comic world. At least, itâ€™s the things I found noteworthyâ€¦
Submitted by El Santo on January 16, 2009 - 11:21
Ah, monsieur! Please sample le following webcomic stories, oui?
Submitted by El Santo on January 14, 2009 - 15:15
I realize that Iâ€™m probably going to alienate a huge portion of my readers here, but I find xkcd to a rather hit-and-miss comic. This is coming from someone who has an engineering degree. (The again, as Sheldon from The Big Bang Theory says, â€œEngineering is merely the slow younger brother of physics.â€)
Submitted by El Santo on January 13, 2009 - 17:42
Submitted by Xaviar Xerexes on January 9, 2009 - 10:33
Hope everyone is having a good 2009 so far. I'm looking for good new stuff to read online - if you want to share a recommendation with me, leave a comment on it below. Thanks!
And here's some newsy stuff:
ZUDA is putting some of its webcomic winners in print... finally! In an interview with the creators of The Black Cherry Bombshells, there is mention that Bayou and High Moon are coming first and that The Black Cherry Bombshells should follow in 2010.
FREE AS IN FREE
Sean Kleefeld (who I still think of as a print comics guy for whatever reason) has a post titled "Wait - You Still BUY Comics? How TwenCen!" pointing out all of the free comics you can get on the web (handy if you can't afford to buy comics in print anymore).
AROUND THE WORLD IN 80 BLOGS
Instructables has a how-to for making "quick and easy webcomics".
The How To Get Your Food Spit In blog has a recurring photo-webcomic that's pretty funny. Don't criticize it though or it'll spit in your browser...
Submitted by El Santo on January 6, 2009 - 13:25
Submitted by Xaviar Xerexes on December 18, 2008 - 10:29
Did you know that, with a 1% cover price share and assuming the books are equal in cost, a Zuda book would have to sell 10,000 copies to make the creator what I would selling 100 copies of Templar? And that’s assuming there are no penalties in the payout for deep discount/damaged/give-away books, and the payout isn’t be split in half between a writer and an artist or something.
There's a good discussion at FLEEN in the comments. Here's my question though -- no matter how good Spike is at DIY (and she is good) shouldn't ZUDA be able to do better? Otherwise what the heck is ZUDA adding to the value chain? It's just another flavor of the question I feel like I've been asking all year -- given all of the DIY tools available to a comics creator, what role is there for a publisher/agent/manager kind of entity? I think there is one for a company built around doing really well and efficiently the kind of business and marketing things that someone should be able to do for the new breed of comics creator but I'm not sure I've seen it yet.
Submitted by Delos on November 21, 2008 - 10:00
It is always amazing to me how much comic stuff there is to talk about. I may have to adjust my approach a bit because this is an awful lot to read at once.
- Here’s an interview with Mathema creator Amy Pearson, one of the contestants on Zuda. And speaking of Zuda, I ran across this related tidbit of information on the Webcomic Overlook.
- Comic Related has a new look. And now you’ll have to go to Twitter to get the Daily Cartoonist’s webcomic news.
- Okay, I had a bunch of comic creating links that I couldn’t get to last week. First you have to get in the habit of writing and then create your comic in five easy steps. This one on balloon placement has already helped me and here’s a drawing tutorial on focal points to help it look more professional. Once you get the images all set to post, you’ll want to follow the advice in this one on image SEO. Now that you have your comic online and printed, imagine that you are going to a con and want some inexpensive and useful ideas about how to make swag to hand out while you’re there. It also probably wouldn’t hurt to know how to write a press release.
- I don’t normally get the chance to listen to the various comic podcasts that get published every week. I can’t help but think I’m missing out so I’ve been listening to all the Webcomics Beacon podcasts that interest me. Next I’ll be on to the Gigcast and then to Webcomics Weekly. I’m about half done with Beacon - I also just finished listening to the newest one on graphics programs which had some good stuff in it. I’ve also listened to number 44 of Weekly.
- I like the general direction that this is going in but the original article is totally centered on India. Don’t misunderstand. That’s not a negative comment, but what works in Indian culture might work out totally different elsewhere. (I heard an interview with an Indian author on NPR about sci-fi. Apparently, science fiction and comic books are seen on equal footing with other kinds of literature in India. Things are different there.)
- I doubt that comics in general will avoid being digital for too much longer. I do know many, many readers who like reading comics on their computer screens (in direct defiance to comments in this post.) In the not too distant future there will be a content delivery gadget that will be able to compete with print in the area of books and full page comics. The convenience of carrying your entire library and personal computer in one hand will let initial customers put up with the glowing screen at first. (Then they’ll come up with something to solve that, I’m sure.) The same article basically says that comics appeal only to readers, which has some truth to it. What most people think of as “comics” currently do seem formatted for readers but they don’t have to be. There are many approaches which can exploit the properties of comics - lose the word balloons and obvious gutters while adding some voice actor performances and sound effects. You would still have a sequential visual story but readers wouldn’t feel like they are reading. Let’s not sell comics too short. Another part is catching potential audience at the right time (and with the right comic) for them to give comics a chance. And lest you think I’m not appreciative of Phillip’s comic articles, here’s one that is more than a little inspiring.
- I saw a cartoon long, long ago and I always wondered why the one kid had special powers and why he tries to get everybody in the end. So years later, I come across a discussion about how they are trying to make it live-action and the writeup explains everything for me. Finally.
- This is pretty theory deep and I’ve attempted to get something practical out of it, but the author mainly looks at time in comics in regard to maps. Scroll down to section XVII and follow the link to Exercises in Style where you’ll see an artist take the same single page script and create a bunch of different takes on it. Scroll down that page and click some of the links on the bottom right to see the examples. I’d like to try that someday.
- Here’s an interview with some New Hampshire comic folks. I enjoy reading these. Here’s another with Peter Laird. Turtle Power! Just kidding. I’m a fan of the original black and whites (and some color versions by Joe Mad and Cheeks.)
- Not everyone thinks this is very keen and they make a lot of comparisons to the million pixel webpage. However, they’d be wrong. This, with a few more features, has real potential. There are already some good resources there, hidden in plain view. Even now, as it is, there’s no reason it shouldn’t be full of 40×40 icons. Oh, and if you’ve already signed up you should read this. (You may have gotten the email, too.)
- Likewise, I’m waiting to see how this turns out. There would be no better list of comics to look at for one to improve their own work. Now, I’m not concerned about what ends up on the list. The point is that these comics have a number of fans, so there’s something about each of them that was noteworthy enough to grab attention.
- Then you may want to consider the limits of webcomic success. I found the assertion that those making new webcomics will stabilize to be especially interesting to think about. I do not think the size of the comic swarm will discourage new comic entries but maybe the increasing quality of the entire field will even things out. You may think I’m daft, but it seems inevitable to me that the public will realize that comics have entertainment value along with untapped practical uses. The more popular attention paid to comics, the better they will become overall. The hobbyists will be more clearly separated from the pros.
- Of course, there is some stereotyping to overcome before we get to that point. Once the general public realizes we aren’t really like this (via Hudson) and that there are more to comics than Marvel and DC - then we’ll have some room to play.
- I’d enjoy seeing the rest of the comments about comic rights that I found here. As I write this, I can’t find the correct site or the post that has the comments.
- Comic Fencing should have the Amazing Superteam reviews up and Webcomic Finds has a review of Dresden Codak.
Submitted by El Santo on November 19, 2008 - 13:05
Do you love the content of Zuda Comics but are tired of the website and its stupid, stupid load times … even if you have the fastest computer on the market? Fear not, heroes and fans of flipping through pages. Wired reports that Zuda, like its cousins DC and Vertigo, is coming to print.