You're a king, and I'm big!
Submitted by CalamityJon on November 10, 2009 - 11:40
I took a week off from my artwork leading up to Halloween, so I'd have time to work on my costume, and I'm just now cleaning up and scanning some of the pieces I've drawn since then. What's up above is a Where the Wild Things Are illo for katie_can_draw, one of the commissions from the Multiple Sclerosis benefit a month back and of which I'm now halfway through. Hope to have everyone's in the mail by the end of November.
So, speaking of Where the Wild Things are, Kate and I finally got around to seeing it last week. That it's a weird film pretty much goes without saying, and that it's arguably not a film for kids almost goes equally as much without saying - mind you, it's not a movie I'd avoid taking a kid to see (although the children in the audience when we saw it were thoroughly bored about halfway through), it's just very much a recreation of a child's perspective and logic clearly written by and for adults.
The most insightful review I've seen of the film so far comes from the infamously eponymous Vern, who notes rather adroitly that it's a miracle that this film could be made the way it was made, rather than some 3-D musical abortion where Max brings the Wild Things back to the real world, and they have wacky misadventures at the mall to the tune of a Smashmouth song and there's a looney-tunes chase scene and a stirring farewell at the end, with some tacked-on teaser about Where the Wild Things Are 2: Wild Things In Space. I mean, honestly, that is legitimately amazing, and you do have to admire it in that respect, if nothing else.
I will say this: I went into the movie hoping to love it, and I definitely did love it, but it was certainly nothing I expected. I'm disinclined to extrapolate at all on the film, because I think that going in with any preconception as to the qualities of the thing will diminish what it a truly immersive film.
However, I also say with certainty that the last ninety seconds comprise possibly the single most touching moment I've ever seen committed to film...