Megatokyo
Comix Talk for Friday, February 18, 2011
Submitted by Xaviar Xerexes on February 18, 2011 - 10:24

Well I'm writing this post so the first thing I'm mentioning is that I did a "cover" of a panel from the 80s comic book Spiderman Versus Wolverine for the Repaneled blog -- it's up over there today. I think the "cover" concept blogs are all pretty fun; there's a lot of them actually. Repaneled is on the newer side but has a lot of interesting work up already. UPDATE: Speaking of covers, friend-of-ComixTalk-for-life James Duncan has a cover of an Alpha Flight issue up at the Covered blog.
MILESTONES: It's the 7th anniversary of Richard Thompson's Cul De Sac. This comic is so good, it's kind of a shame it wasn't around for the last newspaper golden era of Calvin & Hobbes and The Far Side, it more than holds it own.
AWARDS: The Glyph Award nominees are out and nominated in the Best Comic Strip or Webcomic category are The K Chronicles by Keith Knight; Marty’s Diner by Dmitri Jackson; The Revolutionary Times by Brandon Howard and Sean Mack; Solomon Azua by Jake Ekiss; and World of Hurt by Jay Potts.
INTERVIEW: The Phoenix New Times interviews Matt Inman about his webcomic The Oatmeal. His first book, 5 Very Good Reasons to Punch A Dolphin In the Mouth, is coming out on March 5.
REVIEWS
- The Daily Cross Hatch reviews Julia Wertz's Drinking At The Movies, and Comics Worth Reading links to a preview online of the book.
- Tangents reviews the looong running webcomic Megatokyo.
JUMP TO HYPE SPEED
- Caldwell Tanner has another funny comic up at College Humor -- this one a now and then about snow days.
- Fleen notes the return of Michael Jonathan to his webcomic Eros, Inc. Worth checking out!
Piromania -- Leah Fitzgerald interviews MegaTokyo's Fred Gallagher
MegaTokyo blew up almost immediately when it appeared on the webcomics scene three years ago. Fred Gallagher, the creator behind the strip, goes by Piro, a nickname he took only temporarily. A former architect, he now lives on the spoils of the site's merchandise.



