Christopher Mills’ Supernatural Crime, reviewed by Justin

For some pulp comic creators, the story just comes naturally. For Christopher Mills, they come supernaturally.

When you think about is, a "Pulp Webcomic" is something of any oxymoron – after all, "pulp" in its basic sense refers to the printed page. However, the term has since evolved into a genre that encapsulates an era of storytelling, an era channeled even today. And, like any story told in the Information Age, pulp comics are no longer bound to bookspines. Supernatural Crime serves as a case-in-point. Continue Reading

Stickler and Hat-Trick review Jason Thompson’s The Stiff

Stickler and Hat-trick, in association with the Comixpedia present…

Stickler and Hat-trick at the Keyboard

This week, they review Jason thomson’s THE STIFF

(Tonight’s show is sponsored by Great Googly Moogly contact lenses. You WILL see better. Now available in cat eyes!)

STICKER: Welcome to "Stickler and Hat-Trick At the Keyboard!"
HAT-TRICK: I know you all have been dying for another review from us.
S: Why do you say that?
HT: I see the "most read article" link. I know we are not as popular as we should be.
S: Getting any kind of recognition takes time. Provided we put out quality product every month and-
HT: SHOW US THE LOVE!
EDITOR-IN-CHIEF: *slithering out from underneath the couch* SHOW US THE REVIEW FIRST.
HT: Eep!
S: Okay…
HT: *sigh* I’m so tired. Continue Reading

Young Bottoms in Love by Tim Fish et al., reviewed by Damonk

Who needs to drink like a fish when you can draw like one? Tim Fish’s little webcomic corner of our universe certainly goes to great lengths to bring a whole new meaning to the term "Bottom’s Up!"

Young Bottoms In Love, a short story webcomic anthology site that updates weekly, focuses wholly on gay love, relationships, and of course, implied or "tastefully"-depicted soft-core snuggling. Continue Reading

Basil Flint by John Troutman

Deus ex machina – it's a great phrase. Although it's Latin, we can trace its origins as a concept back to Greek theater where its creation is generally attributed to the Athenian playwright Euripides, in the fifth century B.C. It means "god from a machine", and refers to a particular trick that many playwrights used when their plots got stuck or just to clean up the end of the story. They would put an actor dressed as one of the gods into some rigging and lower him onto the stage, as though he were descending from the heavens. This appearance of the god could bring a swift and fortuitous resolution to any problem. The Romans picked up the habit from the Greeks and we got the phrase from them.

Nowadays deus ex machina is considered a shortcut or a cheat, but it can still be a fun device. Especially when the god is the machine, or at least a robot with seemingly infinite powers descending from the sky to free the good guys and help end the first story of John Troutman's Basil Flint, P.I.

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Sabrina Online by Eric W. Schwartz, reviewed by Matt Trepal

As arguably one of the most well-known and oldest anthropomorphic animal (or "furry") comics on the Internet (indeed, having gone online in 1996, it may be among the oldest webcomics, period), Sabrina Online, created by Eric W. Schwartz, has been cited as inspiration for many Internet artists. Like Helen of Troy, the title character may be the face that launched a thousand strips.

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greeneyes by William Van Hecke et al.

greeneyes, an independent webcomic encompassing several simultaneous plotlines and artists, is run and primarily written by William Van Hecke. It tells of the events surrounding one of the more unusual classmates of Wilkinson School, Urbanite, Mars — the intriguingly-named µ, a young girl with luminescent green eyes, bone studs rather than eyebrows, and a nasty habit of collapsing in inconvenient places.

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