Spectacular Cluelessness from Chicago Sun Times

In the Chicago Sun Times, Andy Ihnatko writes an article comparing TIVO to a few shareware programs that grab webcomics from their sites and load the images alone in the shareware viewer. Better lawyers have debated the legality of such programs because of the fact that they essentially use copyrighted materials in ways which the creator has not granted permission but Ihnatko doesn’t mention that at all. To the contrary he encourages his readers to use these programs no matter the financial harm that might be caused to the creators:

The only downside to all these apps is the fact that as Internet “scrapers,” they divorce the strips from their original Web pages, including the ads that make their distribution possible. But just like dropping LSD in the ’60s, you’re free to enjoy these apps in the time we have before we understand the true cost to society and the gummint makes them illegal.

One of the programs mentioned by Ihnatko is Comictastic a program for which Spiny Software is charging $15.00 a pop. Right on Spiny’s homepage for this program is a picture of its program ripping a Wigu image. Paging Jeffrey Rowland! Continue Reading

Appeals Court Rules for Gaiman in Spawn Suit

Neil Gaiman blogs about the Seventh Circuit Court of Appeals upholding his victory over publisher Todd MacFarlane in the district court below. Gaiman and MacFarlane are now officially co-copyright holders in some of the Spawn characters. Gaiman also clarifies that MacFarlane probably does not hold any interests in the Miracleman/Marvelman character.

Link via Monitor Duty.

update: link to Judge Posner’s opinion. Continue Reading

Another Comic Watching Piece of Software – This Time for the Mac

Distribution of comics doesn’t have to be through websites obviously but there is always a tension between readers and creators with these third party created distribution tools. Journalista! points us to The Comic Burrito which takes a look at Comictastic, a program that grabs webcomics automatically and as TCB notes, would easily allow one to build up a collection of a comic using the Modern Tales business model, like American Elf.

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A Modest Interview: Damonk Talks with Sean Howard About Copyright and Stuff

While there are many out there who decry sprite-based webcomics as less than art because they use other people’s original material for their own purposes, there are others – like A Modest Destiny‘s Sean Howard – who actually work hard to not only create their own ORIGINAL pixellated works of comic art, but to also lobby to keep others from stealing said work. Continue Reading

Potential ShutDowner Inadvertantly Becomes ShutDownee

Sean Howard's A Modest Destiny webcomic site was shut down temporarily today, in an odd twist of events brought about through Howard's unhappiness with some Penny Arcade forum-goers.

According to the PA site, Howard had written to the PA boys asking (demanding?) them to crack down on PA forum-goers who were using AMD characters as avatars. Included in this letter was the statement that Howard had already "shut down six web comics that were using his art", thus potentially implying that the same could happen to the PA site, if this alleged copyright infringement was not dealt with quickly.

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Copyright, the Statute of Anne and Rodents

Journalista! points out an interesting OC Weekly story on Dan O’Neill’s Air Pirates, the infamous parody of Disney’s cartoon characters that was squashed by copyright law.

Disney’s case hinged on the fact that O’Neill’s drawings closely resembled the real thing; that, of course, is an important aspect of parody. But Disney argued that such accurate representations might confuse America. It’s difficult to take seriously Disney’s argument that Air Pirates, an unknown, underground, small-circulation publication, could ever be confused with or compete economically with the real deal no matter how exact the rendering. Perhaps this is why Disney’s counsel peppered the complaint with references to Air Pirates as “perverted,” “offensive,” “degrading” and “defamatory” (they forgot “schismatical”), as if parody should somehow strive for wholesomeness. Continue Reading