Experimental Comics Roundup

Exciting, boundary pushing comics, particularly webcomics don’t seem to be as common as they once were.  Some experimental creators have moved on to more mainstream projects, some have stopped making comics.   And some comics that once were daring in their format, like Dinosaur Comics, have just ceased to seem experimental as they’ve become mainstays of the webcomics scene.  That last is a good thing, of course—normalizing ideas that were once bold is how the doors to further new ideas are opened wider.

Of course, unusual projects do still come along, so here are a few that have caught my notice recently.

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Review: Idiots’ Books, by Matthew Swanson and Robbi Behr

Idiots’ Books is comprised of Matthew Swanson and Robbi Behr, and husband and wife creative team who produce “odd, commercially non-viable illustrated books” which they sell primarily through subscription service, while also taking their books to the occasional comics convention.  I first encountered them at MoCCA a few years ago, a con they can pretty reliably be found at—it was my wife who discovered them, and upon finding me insisted that I visit their table, as she was certain their work would delight me; she was correct.

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Review: Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, by Leanne Shapton

Photography by Jason Fulford, Kristin Sjaarda, Leanne Shapton, Michael Schmelling, and Derek Shapton.

What is the value of a memory?  What is the value of a single moment shared between two people?  Does the worth of an affectionate gesture outweigh the cost of a petty unkindness?  When does the price of love become too high?  These are the central questions of Leanne Shapton’s inventive second book, Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, a book in which each moment in the affair of two lovers comes with a price-tag clearly affixed.

Important Artifacts takes the form of an auction catalogue, the shared and individual possessions Lenore Doolan and Hal Morris splayed out, photographed, organized, and appraised with an unsentimental eye; we are to witness the posthumous dissolution of Love’s estate.  Is the first known snapshot of the couple, taken at a Halloween party in 2002 worth $25 – $30?  Is Doolan’s hand-drawn Valentine’s Day dinner menu worth $50 – 60?  To whom?

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One Page from Freewheel, by Liz Baillie

I’ve been very much enjoying Liz Baillie’s Freewheel, a sort of Alice’s Adventures in Hobo-Wonderland, about a runaway foster child named Jamie on a quest to find her missing older brother, Jack.  At the moment, Jamie is lost in a series of tunnels, which can only be traversed by following a series of arcane rules that no one has taken the time to explain to her.  As a result, she is now at the mercy of Wrigley and Chewbie, a pair of odd, but seemingly well-meaning tunnel guides, who insist that Jamie must be blindfolded (more seemingly-arbitrary rules) if they are to help her find the next gate along her way.

Here’s a page from the blindfold sequence:

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Advice for Writers: Write What You Know (Because Learning Something New Would be TERRIBLE.)

“Write What You Know” is probably the most common advice writers receive, so much so that it is accepted wisdom; and yet this is quite possibly the worst advice ever given to a writer.  Here is what I understand this advice to mean: writers should be lazy and ignorant, and we should never, ever challenge ourselves to try to understand people who aren’t ourselves.

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Advice for Writers: Write Every Day. Or Don’t. Either Way, Really.

One of the standard bits of advice that gets trotted out for writers, whether in writing workshops, or seminars, or just at author Q&As, in response to the inevitable “what advice would you give a young writer” question is this: write very day.  Set aside a particular block of time each day, during which you will write.  Even if you have no ideas, you will write.  Even if every sentence you type is worse than the last, you will write.  Treat it like it’s your job, because it is, and if you give into letting yourself off the hook because you don’t have an idea one day, you will inevitably do the same the next, and the day after that, and so on, ad infinitum.

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Science Comics Adapted by Ariyana Suvarnasuddhi from the Writing of Mary Roach

Found via Boing Boing, illustrator Ariyana Suvarnasuddhi has adapted two short sequences from the books of pop-science author Mary Roach.  The newer piece, taken from Roach's Stiff: The Curious Lives of Human Cadavers, details the stages of human decomposition, juxtaposed against a trip to a sushi restaraunt.  It's a great way of evoking the unsettling images of human decomposition without actually showing the literal process.

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Interview: Jim Ottaviani

[Note: The following interview was conducted in July 2009, but has not previously been published.]

Since the 1997 release of his first graphic novel, Two-Fisted Science, writer, librarian, and one-time nuclear engineer Jim Ottaviani, has been telling compelling stories about the lives and work of scientists.  He’s written about everything from J. Robert Oppenheimer’s work on the atomic bomb (Fallout, 2001), to Hedy Lamarr’s invention of an early “frequency hopping” communication sytem (Dignifying Science, 2003), to  Harry Harlow’s investigations into the necessity of love (Wire Mothers, 2007).  Along the way, he’s worked with more than two dozen artists, including Donna Barr, Roberta Gregory, Roger Langridge, Steve Lieber, Dylan Meconis, Linda Medley, and many others.

His eighth and most recent book, T-Minus: The Race to the Moon, illustrated by Zander Cannon and Kevin Cannon, relates the dual stories of the US and Soviet space programs through the late 1950s and 1960s, as they competed to be first to the lunar surface.  But true to form, Ottaviani’s telling of the story focuses less on the astronauts who made the journey than on the engineers and rocket scientists who made the journey possible.

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