Makeshift Musings and Comic Book Bliss: Web Money and the Creative Mind

There’s been a lot of talk about webcomics as a business lately. More than ever before, webcomics are sustaining themselves and their authors through their hard work and promotion. Exciting times seem to be right around the corner for the industry as a whole.

But if you’re not a webcomic guru with tens of thousands of readers, what then?

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Graduation Day: The End of Demonology 101

Faith Erin Hicks’ quietly built mountain of accomplishments should serve as a prime example of the value of doing your own thing. With over 700 full-sized comic book pages under the belt, Hicks’ long-running webcomic epic, Demonology 101, is finally wrapping up what has turned out to be a 5-episode story arc, spanning across the last 5 years. D101 garnered two WCCA awards in 2003 – Oustanding Writing and Outstanding Black and White Art – while also being nominated for Outstanding Art, Outstanding Character Development, Outstanding Long Form Comic, and Outstanding Dramatic Comic.

In the interview that follows, Meaghan Quinn speaks with Hicks on the origins and the process of Demonology 101; she also speaks about future plans, and gets a few sneak preview details from Hicks about a Fanart and Fanfic contest being held to cap the series end.

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Why Do Online Comics by Iain Hamp

This summer, Derek Kirk Kim is teaching Comic Book Illustration to high school students. I read about this on his forum, and then mentioned that if he ever teaches something in Phoenix (my area) or over the Internet, I’d be willing to pay for the experience. Now, I said this in jest to some degree, because I sincerely doubt circumstances would ever bring him to a school in Phoenix to teach, but that second part, about the Internet course, got me thinking.

What if there was a relatively easy way for Derek to offer something like that – an Internet-based course where he offered structured insight into a particular area of creating comics, putting them online, or some other topic relating to comics? Continue Reading

History of Online Comics, Pt. 7: The Beginnings of a “Modern” Age? by T Campbell

Conventional wisdom held, as late as 2001, that the only sustainable economic models for online comics were ad-based. Either the comic carried advertising in some fashion, or it was itself an advertisement for its own merchandise. "Pay-to-read" models were mostly based upon speculation and mostly spectacularly unsuccessful. Even Scott McCloud found his position as comics pundit threatened over his endorsement of "micropayments".

Tycho of Penny Arcade was one of several cartoonists who took McCloud to task for it: "This guy's take on human nature is spun from pure fancy. He imagines that other people – in fact, that everyone– would gladly pay for things if given the chance to do so. That is demonstrably, empirically false– most especially so on the Internet, and most damningly so where content is concerned." They eventually mended fences, but the point of wisdom had been made.

However, Joey Manley was never much for listening to conventional wisdom. Continue Reading

I Hate You All by Dalton Wemble

The Geeks Shall Inherit What They’re Worth?

So, geek comics.

First of all, anyone who willingly adopts a name stolen from a sub-breed of circus freak that specialized in biting the heads of live poultry should be shot.

That being said, it’s about time those alcoholic half-mad savages in the filth-encrusted cages of the carnie sideshow had someone to look down on, and thank you, webcartoonists, for fitting the bill.
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NC:17, or 17 Notorious Webcartoonists

Webcomics have wasted no time in taking advantage of the unfiltered, uncensored, and plain uncontrollable nature of the Internet. Webtoonists have also in their own small way acted out like smaller-scale rock stars, now and again trashing a virtual hotel room. In the spirit of celebrating the abuse or stretching of good taste, artistic boundaries, and/or common sense, we present our somewhat brief and arbitrary list of 17 notorious cartoonists. Some get the nod for a one-time act of notoriety while others continue working on their lifetime achievement awards even as we go to press.

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Form Is Function by John Barber

Taking a look at my bookshelf, I find the two best books ever on the subjects of writing and drawing comics. Both are written by director/screenwriter/playwright David Mamet.

The books are On Directing Film (which is about writing comics) and True and False: Heresy and Common Sense for the Actor (which is about drawing comics). I don’t know why the titles make them sound like they’re about directing films and acting in plays; maybe the publishers figured they could sell more copies that way. Whatever. They’re about making comics. Continue Reading