When I am King by Demian5, reviewed by Andrew Bonia

When you talk about infinite canvas, you’re walking a fine line between cliché and getting publicly attacked as an artsy-fartsy idealist. Still, while the majority of webcomic artists stick to tried and true printed page formats, a few have emerged to really try to grasp the narrative possibility of digital space without descending into pretension or inaccessibility. In the case of Demian5’s When I am King, the creator manages this in addition to plenty of dick jokes. Continue Reading

Picture Story Theatre by Duncan and Danner, reviewed by Sahsha Andrade

Think back to your favorite book from childhood, during a time when your books were equal parts art and written word. Books with lettering sized so big that they eclipsed the text found in large print books. Pages filled with bright and colorful illustrations, spines covered in gold foil. scratch and sniff stories, or tales where texture adhered to the pages let you feel the fur of a bunny, or the rough bark of a tree. These books were your first exposure to imaginative stories told with words and pictures.

This is Picture Story Theatre, in a nutshell. Continue Reading

Spamusement by Steven Frank, reviewed by Andrew Bonia

Steven Frank’s Spamusement is summed up well on its front page: "Poorly-drawn cartoons inspired by actual spam subject lines!" It’s a simple concept that goes a long way.

Where most of us would automatically hit "delete", Frank has appropriated the detritus of his inbox and given it new life, recycling his junk mail into single-panel, often silent comics entirely based on the subject lines of his daily pile of spam. Continue Reading

Katie Galaxy by Maggie McFee, reviewed by Alicia Curtis

Katie Galaxy, created by Maggie McFee, is an interstellar adventure full of humor and piles of trash. Literally. The head of a salvage business founded by her deceased father, Katie Galaxy is a no-nonsense, though often satiric, woman working in a man’s world, and succeeding. Aided by Diesel, her mechanic, and Dig, her problematic, manic navbot, or navigational robot, Galaxy’s mission is to run the best salvage business in the universe, come hell, high water, or… Continue Reading

Two Reviews in One: Man-Man and Sarah Zero

It’s short attention span review theater this week with two short reviews – Justin tackles Man Man by Matt Shepherd and James Duncan and George tackles Sarah Zero by Ace Plughead.

It’s a Man’s Man’s Man’s World

Man-Man, created by James Duncan and Matthew Shepard is a…different kind of superhero webcomic. It is a parody of the typical superhero genre, and of itself as well. Man-Man does not take itself seriously, which is one of its greatest strengths.
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Saga of the Ram by Brian Daniel, reviewed by Sahsha Andrade

It’s no secret that superhero comics comprise a large percent of traditional print comics. So it’s not surprising that this genre would migrate to the web as well. The superhero genre is one that we all have a familiarity with, and we like it to different degrees. The genre is also highly self-derivative, borrowing heavily from within its own ranks. Writers and artists recycle and repackage character archetypes, plots, and relationships often, with varying degrees of success. Continue Reading

Keep on Schlockin’ in the Free World by Xaviar Xerexes

Howard Tayler loves the puns. And the guns. Oh, does he love the guns.

Tayler’s Schlock Mercenary is one of the monster strips of old school webcomics with archives stretching back to June of 2000. Tayler has been plotting the adventures of one androgynous blob named Schlock for almost 5 years now, every day of every week of the year.

And to think it all started with one little "ommmmminous hummmmmmmm…"
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TOONBOTS: Blank Verse Applied to Webcomics

Looking back on 2004, it’s worth noting the changes, or lack thereof, that the year brought to the ever-fluctuating world of webcomics. Keenspot and ModernTales continued to expand and branch into other areas. The fully independent webcomic remains with us. New webcomics appeared, and many of the same have already vanished. A few of the old standbys have come close to retirement, as some cartoonists have had to rely increasingly on reader support to keep their strips alive. Continue Reading