Tuesday. Taquitos. Grwwwahh…

REVIEWS

INTERVIEWS

THEORY

BUSINESS

MILESTONES

NOT WEBCOMICS

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MONDAY. LASANGA. MRROWW.

BIG THOUGHTS

From Journalista!  this link to Katherine Farmar‘s post on the slippery definitions of “art comics” and “mainstream.”

Pam Bliss lays down the laws of the superhero genre.

BEAT THE PRESS

Another comic magazine debuts – an interview with Comics Now publisher Brian Deemer.

AROUND THE WORLD IN 80 BLOGS

From Journalista! this link to Alan Gardner’s interview with the Bad Cartoonist, a blogger devoted to mocking newspaper editorial cartoonists.

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ComixTALK TODAY – TABLOID STYLE!

ELO FAN BOY CONFESSES HIS CRIME: Comic Book Resources has an interview with Kris Straub (Starslip Crisis).

CRAZY CAT LADY EATS PAINT:  Comixology has a review of Dorothy Gambrell’s Cat and Girl.

SELLING YOUR SOUL: Tim Broderick has some thoughts on the different types of publishers to whom you could take a comic project.

YOU SUCK!: The Guardian has an article on dealing with trolls and message boards.

NO REALLY, YOU SUCK!: Editorial cartoonists get to live teh drama too: The Bad Cartoonist blog.

I HAVE NEVER USED HUMAN GROWTH HORMONE: Editor & Publisher reports that Nick Gurewitch’s PBF will definitely go to a monthly schedule.

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Dead Eyes On Sale

Matt Shepherd, writer for the long-running (and criminally not as popular as it should be) webcomic, Man Man also wrote a great zombie comic called Dead Eyes Open. (which Matt describes as as “the West Wing meets Dawn of the Dead”) that , came out in trade paperback this week.

Matt’s also put both Chapter One (4.7 MB) and Chapter Two (4.6 MB) — the first third of the book — online as free PDFs.

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Need to Check Out BLIP

I saw the ad the webcomic Blip put up here at ComixTalk and checked it out and enjoyed it.  The writing — especially the dialogue — is quite good and I thought the characters felt like friends after awhile. And it’s genuinely funny in a lot places.  Plot-wise it veers into the supernatural in a way that makes absolutely no sense to me at all right now but given how the title of the comic is explained I guess that plot is fundamental to the creator’s vision of the strip.  Still this works purely on the level of friends doing stuff in the city too.

And I really like the art  too.  I feel like I should write a full review of this but in case I don’t this’ll have to do…

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Monday’s Webcomic Wonderland

COMIXTALK

New interviews — one with manga publisher Seven Seas and one with T Campbell.

DIGGING YOUR SCENE

Tom Spurgeon is collecting information on various comic "scenes" across the North American continent and he’s looking for help.

AWARDS

The Glyph Comic Award nominees are out.

REVIEWS

A comprehensive overview of Steve Purcell’s long-running (but infrequently updated) Sam & Max comics.  Purcell won last year’s Eisner for Best Digital Comic.

Comics Worth Reading links to Ten Doctors, a Who fan comic starring all of the Doctor Whos.

DEAD TREES

Dark Horse announced more print collections of webcomics including Wondermark and Achewood.

I HATE MONDAYS

Two ways to pierce the veil of Garfield: Garfield Without Garfield and Arbuckle.

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Navigating the Seven Seas of (Web)Comics

Some pundits claim that every comic that is released is pirated almost immediately and posted for free somewhere in the vast thicket of BitTorrent sites, IRC channels, and cheesy websites that make up the underside of the comics iceberg. But is that a bad thing?

It seems wrong, but it’s true; giving a comic away online can be good for sales.  Look no further than Megatokyo, which is the best selling global manga of all time, even though the entire comic is available online for free. And just last year, Phil and Kaija Foglio decided to stop printing floppy comics and put Girl Genius online, a move that saved them money and apparently increased sales of their trade paperbacks as well.

While this may be a good choice for a creator, it’s still unusual for a publisher to put entire volumes of a comic online for free.  Seven Seas is the exception: From the very beginning, they have published their works as webcomics before releasing them in print form in order to build demand for the print versions. Curious about how they make money on a product they are giving away for free, I e-mailed Adam Arnold, their senior editor and webmaster as well as the writer of Aoi House, and peppered him with questions about how they turn webcomics into money.

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