Did you know that, with a 1% cover price share and assuming the books are equal in cost, a Zuda book would have to sell 10,000 copies to make the creator what I would selling 100 copies of Templar? And that’s assuming there are no penalties in the payout for deep discount/damaged/give-away books, and the payout isn’t be split in half between a writer and an artist or something.
There's a good discussion at FLEEN in the comments. Here's my question though — no matter how good Spike is at DIY (and she is good) shouldn't ZUDA be able to do better? Otherwise what the heck is ZUDA adding to the value chain? It's just another flavor of the question I feel like I've been asking all year — given all of the DIY tools available to a comics creator, what role is there for a publisher/agent/manager kind of entity? I think there is one for a company built around doing really well and efficiently the kind of business and marketing things that someone should be able to do for the new breed of comics creator but I'm not sure I've seen it yet.