Experimental Comics Roundup

Exciting, boundary pushing comics, particularly webcomics don’t seem to be as common as they once were.  Some experimental creators have moved on to more mainstream projects, some have stopped making comics.   And some comics that once were daring in their format, like Dinosaur Comics, have just ceased to seem experimental as they’ve become mainstays of the webcomics scene.  That last is a good thing, of course—normalizing ideas that were once bold is how the doors to further new ideas are opened wider.

Of course, unusual projects do still come along, so here are a few that have caught my notice recently.

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Dylan Dog: Movie Announcement, Sneakily Turned into Comic Review

 Dark Horse, 2009

We've heard some good news about comic book movies recently, with Joss Whedon adapting The Avengers and the Scott Pilgrim movie not sucking at all and such. Me, I won't be able to watch Scott Pilgrim for quite a while because it opens pretty late in Germany (January! What's the excuse for that?!), so let me take a look at another new comic book adaptation I haven't seen.

A couple of days ago, a trailer for the upcoming Dylan Dog movie, Dead of Night, hit the nets. The movie is supposed to open around Halloween, but I've heard that they've postponed it until 2011, so don't hold your breath. I originally meant to share the trailer here, but as it turns out, it wasn't an official release, just something they cranked out for "the International sales folks". That's good news, because the trailer sucked big time. I'm not getting into the lousy special effects here because a) they've fixed them since, and b) I like them trashy. What irritated me was that the movie didn't resemble the comics at all. (Now that isn't exactly newsworthy either – anybody who's seen, say, League of Extraordinary Gentlemen or Constantine will have noticed a pattern long ago.)

Let's take a look at the comic instead. Unless you're Italian, you may not be too familiar with it. In Italy, it's one of the best-selling comic books ever. In the United States, Dark Horse issued seven stories, recently collected into a 700-page collection.

Dylan Dog is a paranormal investigator who claims he doesn't believe in the supernatural, but is open to anything. He lives with his sidekick Groucho who may or may not be the resurrected Groucho Marx, though he surely behaves that way, testing everybody's patience by constantly cracking jokes. Dylan has a sense of humor, too, but he is more of a darker, moody nature. His fascination with the supernatural seems to stem from his conviction that the natural world doesn't make much sense either. He's an ex-cop, a recovered alcoholic, and he constantly falls in love with his female clients, which is usually doomed from the beginning.

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This Day In ComixTALK: August 20, 2010

Another trip in the webcomic wayback machine:

2009

The secret of Kate Beaton's webcomic origins revealed! The mystery of Shaenon Garrity's self-publishing saga uncovered! Plus links to Brigid Alverson on TokyoPop's online presence and Cory Doctorow on why e-publishing has to be part of a writer's strategy.

2008

I interviewed Clint Hollingsworth (creator of The Wandering Ones) and Barry T. Smith (creator of InkTank).

2007

Lewis Powell began a week of guest blogging at ComixTalk. Among other topics, Lewis wrote about Eric Burn's post on fan appropriation of the ending of For Better of For Worse.

2006

Guest blogger Lisa Jonte wrote about the subtle art of rejection.

2005

We linked to the Journey Into History blog's review of Vir Bonus, the unfinished webcomic from former ComixTalk blogger Giant Panda.  The next day Eric Burns wrote a Feeding Snarky column about pr0n comics.

2004

The manga webcomic anthology site, Wirepop, celebrated its first year anniversary and Keenspot moved its headquarters to Cresbard, South Dakota.

2003

Joey Manley wrote about The Comics Journal forum notice of Drew Weing's webcomic Pup.  I think most of those TCJ-era links are shot (this one is) which is too bad. Drew has posted a not-complete archive of Pup strips at his website,   Be sure to check out Drew's current webcomic and book, Set To Sea and say hi to him at SPX this fall.

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Grey Vampires and Green Cowboys

Gus and His Gang by Christophe Blain
First Second

Vampire Loves by Joann Sfar
First Second

This is a quick examination of some color, drawing and design techniques used in two great bandes dessinées. I've kept Vampire Loves close to my drawing table for some time now, trying to glean some ideas and inspiration from Sfar's art. More recently I picked up Gus and His Gang and that's also been both enjoyable to read and to look over, saying "How did Blain do that …?" Both artists have versatile, energetic, and very "cartoony" art styles, in the best sense of using all the tools of caricature, exaggeration, and symbolism that are available to cartoonists. They are Big Guns and worth close study. Some other artists in this vein that I enjoy, but didn't have time to fold into this post, are Kerascoet and Emile Bravo, both of whom have some work available in English (and probably a much vaster amount in French.) I hope you'll look them up!

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Review: Idiots’ Books, by Matthew Swanson and Robbi Behr

Idiots’ Books is comprised of Matthew Swanson and Robbi Behr, and husband and wife creative team who produce “odd, commercially non-viable illustrated books” which they sell primarily through subscription service, while also taking their books to the occasional comics convention.  I first encountered them at MoCCA a few years ago, a con they can pretty reliably be found at—it was my wife who discovered them, and upon finding me insisted that I visit their table, as she was certain their work would delight me; she was correct.

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Review: Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, by Leanne Shapton

Photography by Jason Fulford, Kristin Sjaarda, Leanne Shapton, Michael Schmelling, and Derek Shapton.

What is the value of a memory?  What is the value of a single moment shared between two people?  Does the worth of an affectionate gesture outweigh the cost of a petty unkindness?  When does the price of love become too high?  These are the central questions of Leanne Shapton’s inventive second book, Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, a book in which each moment in the affair of two lovers comes with a price-tag clearly affixed.

Important Artifacts takes the form of an auction catalogue, the shared and individual possessions Lenore Doolan and Hal Morris splayed out, photographed, organized, and appraised with an unsentimental eye; we are to witness the posthumous dissolution of Love’s estate.  Is the first known snapshot of the couple, taken at a Halloween party in 2002 worth $25 – $30?  Is Doolan’s hand-drawn Valentine’s Day dinner menu worth $50 – 60?  To whom?

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Seeking Solace at the Symmetry Shop (An Appreciation of Ben Katchor)

Julius Knipl, Real Estate Photographer: The Beauty Supply District
Pantheon Books, 2000

The Jew of New York
Pantheon Books, 1998

The central joke in "The Beauty Supply District" is neatly summed up by this gem from Carol Lay‘s old Frequently Asked Questions page:

Q: Where do you get your ideas?
A: I buy them in enormous rolls from Hammacher Schlemmer.

The Beauty Supply District—another picturesque corner of Ben Katchor's New York-like city—is a little warren of shops where art and design ideas are sold over the counter. Towering geniuses of the art world make furtive visits to punch up their paintings, atonal compositions, and what have you. Commercial manufacturers stride in with less trepidation, aiming to put a new gloss on their line of olive products.

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