Comix Talk for Thursday, April 15, 2010

Inktank by Barry Smith

Washington is ON the hockey BANDWAGON folks.  I'd turn the site RED but why don't you imagine it that way instead. Today's INKTANK spoke to my inner caffeinated soul. It might as well have featured a little angel and little devil on my shoulders delivering the same dialogue…

INTERVIEWS: Fandomania has an interview with Nathan Schreiber, creator of Power Out, a webcomic on Act-I-Vate.  Webcomics Community has an interview with creator and Keenspotter Prime, Chris Crosby.

CONVENTIONS: Bags and Boards blog has an article speculating on Comicon moving from San Diego to Los Angeles. They think there are signs it may happen.

iWEBCOMICS: The Daily Cross Hatch has an article on indie comics on the iPad.

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Comix Talk for Wednesday, April 14, 2010

The Super Fogeys by Brock Heasley

The Small Press Idol competition is underway.  I got an email from Carolyn Watson-Dubisch about her webcomic (along with collaborator Mike Dubisch) project in the competition — The People that Melt in the Rain.  Check it out – sounds interesting.

iWebcomics: Comics Worth Reading has a post on how much readers will pay for comics on the iPad

THEORY: Paul Gravett has a post pondering the potential of a post-print comics landscape.(h/t Journalista!)

INTERVIEWS: Wired has a profile of Peter Bagge.(h/t Journalista!)

CONTESTS: Digital Strips has a story about a contest to work with Brock Heasley and David Reddick on a Superfogeys origin story.

HYPE: Contropussy is a webcomic by Emma Caulfield, Camilla Rantsen, Christian Meesey, and Thomas Mauer.  Caulfield was an actress on Buffy the Vampire Slayer and Contropussy has been playing off of that in its PR which made me skeptical of the project but it ain't bad.  Kinda funny and some strong artwork.  I think they've already maxed out on their fair share of pussy jokes though.

MAILBAG: Tom Pappalardo sent me an email about his graphic novel in progress — Broken Lines, "a story about a spaceman and a cowboy driving around in a stolen rental van. They are on a secretive mission, and are being pursued by what I like to call "bad guys". En route, they meet a very nice waitress named Maggie."  It's a mashup of pure text and comics and Pappalardo has posted the first chapter online.  It looks like his focus is on a print version of this project (i.e., it ain't a webcomic… yet) and the first chapter online is a preview.

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Comix Talk for Tuesday, April 13, 2010

Culture Pop by Seth Kushnar

Seth Kushnar's CulturePop debuted this week.  The first one is about Alyssa Loveless talking about performing and her music.  I really dig Kushnar's website Graphic NYC, and this comic project looks very promising.  Different vibe but its somewhat similar to a great journalistic comic called CulturePulp by Mike Russell.

BUSINESS: Tom Tomorrow's current comic is a funny take on the Internet but a little bitter about the changes waste the Internet is laying to existing business models.  Tomorrow and Reuben Bolling are two extremely talented cartoonists that should be able to make it in the Internet world.  Maybe they need their own Robert Khoo business guru but if nothing else they ought to talk to Jeff Rowland at Topataco and see what they can do with taking control of their merchandizing opportunities.

LEGAL: Linda Joy Kattwinkel, Esq., Intellectual Property and Arts Attorney at Owen, Wickersham & Erickson writes a post on what to do when your artwork is being ripped off.  Good advice.

AWARDS: James Hudnall writes about his experience being a judge for the Eisner nominations this year.

MILESTONES: Shaenon Garrity reports that Daniel Merlin Goodbrey has concluded his webcomic All Knowledge Is Strange and started a new webcomic 100 Planets.

REVIEWS: LeftyFilms.com reviews this month's Zuda contestants. (h/t Artpatient.com)

HYPE: BleedingCool.com has a bit more and pix on the upcoming book Kill Shakespeare.  Plus a take from a Shakespeare scholar.

NOT WEBCOMICS: BleeedingCool.com has a round-up of the recent uncovering of work Jack King Kirby did for an animation house in the 80s.  Neat to see even more ideas from the comics legend.

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Comix Talk for April 12, 2010

Outbound #2

CONVENTION: By all accounts MoCCA saw the debut of a ton of great books – The Beat has a good round-up here. The cover of Outbound #2 looked great too – I've enjoyed the previous anthologies from the Boston Comics Roundtable and look forward to checking out this one too.

MAILBAG: I got a review copy of Dracula Is a Racist, a new prose book from Cyanide & Happiness author Matt Melvin with art from Melvin and DJ Coffman.  If you enjoy the humor of C&H you'll like this book.  There seem to have been a spate of "how-to" tougue-in-cheek books recently (like the Zombie Survival Guide) – this one may be even a bit more tongier-in-cheekier.  For some reason a running gag is comparing how much cooler vampires are than zombies.  You get the impression reading this book that Melvin has a pretty dark sense of humor but probably is a nice guy in person (I interviewed him back in 2007) – his sense of humor is more goofy than cutting.

MILESTONES: Happy Birthday Onezumi!

AROUND THE BLOGS:

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Don’t Take Things Too Seriously: Giffen and DeMatteis

Despite my blocking it from my memory for awhile I did buy comics in highschool — for a few years at least.  I can't remember all of the titles I bought from the comic shop relatively nearby, but I do remember Keith Giffen and J.M. DeMatteis' run on Justice League.  My memories of that original run are a little fuzzy now (although I suppose I could dig the issues out of a box in the basement), but I got a huge fix of their trademark bwhahaha humor by picking up trade collections of Formerly Known As the Justice League and I Can't Believe It's Not the Justice League — two series they did earlier this decade.

Now I'm trying to sort out how to follow the current Giffen (co-written by Judd Wicnick) Justice League series titled "Generation Lost".  Apparently D.C. is running two alternating bi-weekly Justice League series this year — do I have to follow the other one — "Brightest Day" — to figure out what's going on or can I just read Giffen's series?  And I realize this ain't going to be on the web, but seriously… now that I'm wanting to read something new from DC I'm struck again and 10 times clearer, how stupid it is to tie a business model to a single distributor and a limited number of specialty shops while ignoring the greatest distribution system ever invented…

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This Day In Comix Talk — April 9th

Zwol by Greg Stephens

A lot of chatter over this year's Eisner nominations around the webtubes as everyone winds down for the weekend.  Here's a look back at webcomics' permanent record:

2009

2008

2007

2006

2005

2004

2003

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Comix Talk for Thursday, April 8, 2010

Split Lip Volume 2 by Sam CostelloFleen reported yesterday that Phil Foglio caught that Merriam Webster had "webcomic" up as a new word for April 2010.  I've always liked webcomic because (1) it's self-explanatory and (2) no one calls comedians doing something online "webcomics".

CONVENTIONS: MoCCA is this weekend.  Sam Costello the creator of the horror webcomic Split Lip will be debuting a special limited edition of its Volume 2 trade paperback with a new, previously unpublished story and a new cover by Shane Oakley.  The 10 stories in the collection offer 160 pages of disturbing, intellectual horror stories with art by Sami Makkonen (Hatter M vol. 2), Anthony Perruzo (Zuda), John Bivens (Comic book Tattoo), and Jason Ho (Agnes Quill). 

And Brigid Alverson has a round-up of lots more great books that will be available at MoCCA.

INTERVIEWS: The Beat has an interview with Hope Larson and Raina Telgemeier.  Together they're hosting the "Drink & Draw Like A Lady" event.

AWARDS: You can make nominations for the Eagle awards now.  Go Intertubes go…

FROM THE MAILBAG

So The Boy with Nails for Eyes by Shaun Gardiner is pretty interesting.  It's a webcomic with music, and a kind of delayed, cinematic presentation of the panels on a "page" that pushes — but in my mind mostly doesn't break — the boundary of comicness.  Really in terms of experimenting with the notion of a comic embedded in the web, this is fantastic stuff.  And the interface used to navigate within the "page" and to go from page to page is pretty easy.  So far there is only one chapter up of what is supposed to be a much longer story.  The art is fantastic, the brief text so far interesting, hard to guess if the work as a whole will be satisfying but certainly Gardiner's setting a high bar for himself.  I heartily recommend checking this out.

Nate Wunderman wrote to mention his webcomics E.I. and Time Corps.  Talk about extremes – I went from being immersed in the webbiness of The Boy with Nails for Eyes to Wunderman's comics which are all presented in pdf format.  I can't repeat this enough — use an image format that's native to browsers.  You want to offer a .pdf as an alternate version, great, but start with something from the holy trinity of image formats; gif, jpg and png.

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