Washington Webcomics Meetup in VA Tomorrow Night

Hey are you a webcomic artiste or enthusiast in the greater Washington DC area?!  It’s the monthly Washington Webcomics meetup tomorrow night and why not drop by and hang out with the gang?  Hosted by MC Chris Impink in the palatial environment of the Ballston Mall (we crawl from our meeting-up-place in the food court dungeon to the luxurious environment of the Bailey’s Bar and Grill) it’s a couple hours of drawing, drinking and discussing of webcomics.

(and if you hum the theme to the Muppet Show while reading this post — 100% cooler!)

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Look Out for the Webcomic Hobos

CONVENTIONS
Due to the explosion of hobos webcomic fans descending on New England for Webcomicstock Weekend, the organizers have decided to require pre-registration.  So go to it!

MARKETING
Some good tips on publicity for the independent creator from reporter Jennifer Contino.

The NYTimes introduces three comics best seller lists: hardcover, softcover and manga.  Tom Spurgeon adds a dose of snark to the announcement.

INTERVIEWS

CBR has an interview with Raina Telgemeier, currently working on a graphic novel adaptation of her webcomic Smile.

MILESTONES
Congrats to Chris Crosby on 10 years of Superosity.  (h/t Fleen)

WATCHING THE WATCHMEN
Have you ever wondered what The Watchmen as cheesy Saturday morning animation show would be like?  Wonder no more

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Jane Irwin Ending Clockwork Game

Clockwork Game is a comic about the Mechanical Turk and Jane Irwin just announced that she’s ending the comic:

In other news, I have decided to end Clockwork Game.

After a solid month of deliberation, I’ve decided that my original intent doesn’t actually match the story I’ve created. The problems I’m seeing are not fixable with a few changes to dialogue or action; it’s a deeper, more fundamental issue with the overall tone of the story. I’ve been too focused on the nerdy parts of the story I enjoy, and in doing so, I’ve failed to take some very critical aspects of the story into proper consideration.

I’m not ending the book because of anything anyone’s said to me, or because of a need I feel to "keep everyone happy". "You can’t keep everyone happy" is a sentiment best reserved for minor issues like the difference between using algebraic instead of descriptive chess notation, not major considerations like accurately framing racial stereotypes within a historical context.

In the last month, I have read dozens of devastatingly honest posts from Readers of Color who’ve been hurt by White authors who didn’t take the full implications of their stories into account, posts so eloquent and brave that I cannot help but be moved by them to examine my own work and ensure that it’s worthy of these same readers, authors in their own right who’ve risked so much to put their opinions out in public.

My passion for comics cuts two ways — I fiercely love the comics I make, but I’m also unwilling to publish and sell a work that I’m not completely willing to stand behind. While I am disappointed that I won’t be completing the project, in the long run, I think I’ll be much more comfortable with this decision. I can only hope that my readers will agree.

My last remaining concerns regard the end of the first chapter, and the archives. I have another fifteen or so pages left to run, and I still haven’t decided whether or not I’ll be releasing them, or keeping them online as an archive. On one hand, if I’m not willing to publish the work, I don’t really have a reason to keep it online. On the other, if I complete the first half of the story, properly footnote it, and add the texts that properly discuss the automaton’s Orientalism, it could be a good resource to keep up for reference, especially given the dearth of online information on the topic. I’ll probably give myself another week or so to make a final decision.

I realize that every work is flawed, and that as creators, we learn as we go. I want this to be a learning experience — I just don’t want this learning to come at someone else’s expense.

There’s a growing thread of comments to Jane’s post if you’re interested in how her readership is reacting.

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This Day In ComixTALK: March 4th

Winding up the Wayback Machine:

2008

Keenspot revamped its "deal" with creators on its roster.  I assume it’s gone well for most of the folks who took the new deal although I haven’t seen any interview or story focus on that.

2007

T Campbell interviewed chief wikipedian Jimmy Wales about webcomics and Wikipedia.

2006

Speakeasy Comics bites the dust and Clickwheel announced commissions for comics.

2005

Tauhid Bondia And Eric McCurdy give up on syndication for their comic Suzie View.

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Yes We Scan

Bits of webcomic news here and there.  Various folks linked to this list of "20 of the best webcomics" at MASHABLE.  Agree or argue away in their comments…

TECHNOLOGY
Daily Cartoonist has links to a new release of another WordPerfect Wordpress plug-in for webcomics management.  I really hope someone writes up a nice review of the expanding number of WordPresserfect-webcomic tools.

Not entirely sure how this works, but Greg Carter started a webcomics group for twitter.

BUSINESS
A couple of posts on marketing comics – one at mpd57 and the other at Robot 6.

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COMIXTALK SELLS OUT!

Thanks to our newest sponsor an online exhibit by Scott C called "Home Slice".  (The sponsor slot is the top ad on the left hand column of the site – we have one at a time and it helps make sure I can pay the server bills!  Click here if you’re interested in sponsoring ComixTALK next.)

INTERVIEWS
An interview with the historically enthusiastic Kate Beaton (h/t JOURNALISTA!)

The Washington Post has a good interview with Jeff Kinney the creator of the wildly successful Diary of a Wimpy Kid books (which are online at Funbrain.com)

BUSINESS?
Indy Comic News linked to a press release from comicsXP which appears to be a site for organzing comics and possibly reading digital scans of them too.  I haven’t heard anything else about them so no vouchsafe from me yet.  Still it’s a spiffy web2.0ish site so I’ll poke around some more this week to see what I think.

WATCHMEN WATCH
Scott Kurtz takes a crack at mixing up The Watchmen and the current decline of newspaper comics
.

AROUND THE WORLD IN 80 BLOGS
I missed this but Kevin Pease drew up denominations of "bullshit artistic credibility dollars" (taking an idea from Jeph Jacques’s post on webcomic versus newspaper comic business models) which are great!

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Frosty the Webcomic Man

DEAD TREES DYING
Matt Groening muses about moving Life In Hell to the web after LA Weekly drops it.

AVON Calling
Comics Worth Reading points to what may be the first multi-level marketing webcomic scheme.

MILESTONES
Last week was the eighth anniversary of Mitch Clem’s Nothing Nice to Say.  Comixtalk had an interview with Mitch back in 2006.

JUSTIFY MY HYPE
Tozzers is doing a strange Terminator/Anti-Ben Affleck storyline (I thought bashing Affleck was Theater Hopper‘s gig)  Despite the heavy outlining I like the artwork on this strip, I’m less sold on the comic as a whole but still worth checking out.

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