Juxtapose This: Say What?

I am over two weeks late writing this article. There are a lot of reasons why — for one thing, it’s hard to think of something clever to say about the world of webcomics immediately after writing a six page paper about the Emperor Alexis Comnenus I of Constantinople — other examples include extremely urgent tea drinking, needing to listen intently to the same three tracks of the opera Carmen 14 times through because I can never hit the bloody flat at the end of the aria and I need to know it by Saturday, and wanting to avoid the incessant teasing of my housemates when I use my voice recognition program. Continue Reading

Why Do Online Comics by Iain Hamp

Not too far from where I grew up, just a bit south of Tombstone (“the town too tough to die” – a great tourism slogan) and east of Sierra Vista (“where vacations last a lifetime” – a more questionable tourism slogan, if you take it from the wrong perspective), there is a little town called Bisbee.

Bisbee, Arizona was created initially because of the massive copper mine there, but as that economy diminished, the town began to lure artists therein to create and sell their wares. More and more artists began to flock there, in search of a community that would support their work not only with a pat on the back but with a greenback or two. People that were struggling to make a penny off of their paintings, jewelry, and other creative endeavors were suddenly able to do what they loved and feed themselves and their loved ones at the end of the day. Continue Reading

Chris Daily Recaps the A.P.E. 2004 Convention

When I attended the 2003 San Diego Comic-Con, I barely even saw one third of the things there. The lines were too long, the pretzels were too expensive, and the Stormtroopers were too plentiful. So naturally, walking around the 2004 Alternative Press Expo on February 22nd was a breath of fresh air.

Raw, edgy, up and coming artists were pimping their latest projects harder than used car salesmen. People could walk around the entire floor several times in the course of the day, talk with their favorite artists, and even attend panels with certain creators. Continue Reading

Form Is Function by John Barber

Licensing: not just for Microsoft anymore?

Last September, Yahoo Japan announced plans to launch an online manga rental system, whereby readers could buy 80-day licenses to read volumes of manga like Astro Boy or Cyborg 009. The licenses would be 360 to 400 yen, which is about three or four dollars (or was when I was in Tokyo last summer, anyway).

It’s certainly one of the biggest commercial webcomics ventures you’ll find: big, big comics in a country that loves it some comics. Continue Reading