Nominations for Eisner Awards Due This Friday and Other News Of the Day

AWARDS
Red Light ALERT!!! Eisner nominations are due in this Friday.

The best digital comic category is open to any new, professionally produced long-form original comics work posted online in 2008. Webcomics must have a unique domain name or be part of a larger comics community to be considered. The work must be online-exclusive for a significant period prior to being collected in print form. The URL and any necessary access information should be emailed to jackie@comic-con.org.

INTERVIEWS

Neatorama has a talk with LOLCATS cartoonists Adam Koford on his influences. (h/t Journalista)

Newsarama has an interview with Derek Kirk Kim and Gene Luen Yang on their new book – The Eternal Smile – a collection of three stories, jointly created. (h/t Journalista)

Shaenon Garrity interviews Ed Quinby about his webcomic Teregrin.

MARKETING
Aaron Haaland has some nuts and bolts tips on how to host a creator-signing at a comic book store. (h/t Journalista)

JUSTIFY MY HYPE
Gary recommends Savannah & Georgia by Eliza Frye.

Lore’s Bad Gods has a funny one today featuring Photoshop Filter Force.

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Twitterin’ With Xerexes

If you want to add me to more social network stuff feel free to add my twitter feed.  I’m not on it constantly – more hit and miss at random times throughout the day.

Through the magic of DRUPAL I could let everyone import their twitter feed to their ComixTalk account (like this: http://comixtalk.com/user/2/tweets) but I’m not sure that’s really all that helpful?  If that seemed like something people might want let me know.

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Washington Webcomics Meetup in VA Tomorrow Night

Hey are you a webcomic artiste or enthusiast in the greater Washington DC area?!  It’s the monthly Washington Webcomics meetup tomorrow night and why not drop by and hang out with the gang?  Hosted by MC Chris Impink in the palatial environment of the Ballston Mall (we crawl from our meeting-up-place in the food court dungeon to the luxurious environment of the Bailey’s Bar and Grill) it’s a couple hours of drawing, drinking and discussing of webcomics.

(and if you hum the theme to the Muppet Show while reading this post — 100% cooler!)

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Future of Comics

Years ago, while I was discussing the idea of going behind the subscription wall at Moderntales.com, I happened to make a point that – when considering the future of cartooning – still resonates today.

You will always be able to find comics to read (for free on the internet), but unless there’s some way to adequately compensate specific creators for their work, those specific creators will not continue to produce that specific work.

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Look Out for the Webcomic Hobos

CONVENTIONS
Due to the explosion of hobos webcomic fans descending on New England for Webcomicstock Weekend, the organizers have decided to require pre-registration.  So go to it!

MARKETING
Some good tips on publicity for the independent creator from reporter Jennifer Contino.

The NYTimes introduces three comics best seller lists: hardcover, softcover and manga.  Tom Spurgeon adds a dose of snark to the announcement.

INTERVIEWS

CBR has an interview with Raina Telgemeier, currently working on a graphic novel adaptation of her webcomic Smile.

MILESTONES
Congrats to Chris Crosby on 10 years of Superosity.  (h/t Fleen)

WATCHING THE WATCHMEN
Have you ever wondered what The Watchmen as cheesy Saturday morning animation show would be like?  Wonder no more

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Jane Irwin Ending Clockwork Game

Clockwork Game is a comic about the Mechanical Turk and Jane Irwin just announced that she’s ending the comic:

In other news, I have decided to end Clockwork Game.

After a solid month of deliberation, I’ve decided that my original intent doesn’t actually match the story I’ve created. The problems I’m seeing are not fixable with a few changes to dialogue or action; it’s a deeper, more fundamental issue with the overall tone of the story. I’ve been too focused on the nerdy parts of the story I enjoy, and in doing so, I’ve failed to take some very critical aspects of the story into proper consideration.

I’m not ending the book because of anything anyone’s said to me, or because of a need I feel to "keep everyone happy". "You can’t keep everyone happy" is a sentiment best reserved for minor issues like the difference between using algebraic instead of descriptive chess notation, not major considerations like accurately framing racial stereotypes within a historical context.

In the last month, I have read dozens of devastatingly honest posts from Readers of Color who’ve been hurt by White authors who didn’t take the full implications of their stories into account, posts so eloquent and brave that I cannot help but be moved by them to examine my own work and ensure that it’s worthy of these same readers, authors in their own right who’ve risked so much to put their opinions out in public.

My passion for comics cuts two ways — I fiercely love the comics I make, but I’m also unwilling to publish and sell a work that I’m not completely willing to stand behind. While I am disappointed that I won’t be completing the project, in the long run, I think I’ll be much more comfortable with this decision. I can only hope that my readers will agree.

My last remaining concerns regard the end of the first chapter, and the archives. I have another fifteen or so pages left to run, and I still haven’t decided whether or not I’ll be releasing them, or keeping them online as an archive. On one hand, if I’m not willing to publish the work, I don’t really have a reason to keep it online. On the other, if I complete the first half of the story, properly footnote it, and add the texts that properly discuss the automaton’s Orientalism, it could be a good resource to keep up for reference, especially given the dearth of online information on the topic. I’ll probably give myself another week or so to make a final decision.

I realize that every work is flawed, and that as creators, we learn as we go. I want this to be a learning experience — I just don’t want this learning to come at someone else’s expense.

There’s a growing thread of comments to Jane’s post if you’re interested in how her readership is reacting.

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This Day In ComixTALK: March 4th

Winding up the Wayback Machine:

2008

Keenspot revamped its "deal" with creators on its roster.  I assume it’s gone well for most of the folks who took the new deal although I haven’t seen any interview or story focus on that.

2007

T Campbell interviewed chief wikipedian Jimmy Wales about webcomics and Wikipedia.

2006

Speakeasy Comics bites the dust and Clickwheel announced commissions for comics.

2005

Tauhid Bondia And Eric McCurdy give up on syndication for their comic Suzie View.

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Yes We Scan

Bits of webcomic news here and there.  Various folks linked to this list of "20 of the best webcomics" at MASHABLE.  Agree or argue away in their comments…

TECHNOLOGY
Daily Cartoonist has links to a new release of another WordPerfect Wordpress plug-in for webcomics management.  I really hope someone writes up a nice review of the expanding number of WordPresserfect-webcomic tools.

Not entirely sure how this works, but Greg Carter started a webcomics group for twitter.

BUSINESS
A couple of posts on marketing comics – one at mpd57 and the other at Robot 6.

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