iWebcomics

It's day 4 of Snowapalooza in Washington DC.  I consider this a trial run for if I ever decided to move to Canada and so far… I don't think I'd make it.  But being snow-bound has been great for catching up on comics.  I also wanted to flag a few features at ComixTalk — the calendar of comic events is available here, but you can also add it a number of other calendar programs and I'm always interested in co-maintainers.  In fact I'd be very happy to see other blogs and sites join me in maintaining it and embedding it on their sites too. I also set up a hub page for the four webcomic titles that have run at ComixTalk over its 8 year history – click to discover work from Ryan Estrada, Kris Straub and Bryant Paul Johnson.

Awards:  The Webcomics List, a hybrid tracking, popularity and news site for webcomics had a forum-organized awards program this year.  It felt a lot like the old WCCAs. This Week in Webcomics covers the results.  Gunnerkrigg Court won the nod for Best Comic and Moon Town won for Best New Comic.  Coyote has a review of Moon Town here.

iWebcomics: So I'm kind of already burnt out on the iPad hype.  I want to wait until the thing is available to think more about it.  Others are though: Erik Larsen has an essay about it and Gizmodo salivated over how comics will look on the tablet device.

Dead Trees: Tyler Page talks numbers, costs and quality for taking the Print-On-Demand route for volume 2 of his Nothing Better webcomic.  And starting this week, for a couple of months, Gordon McAlpin is working full time on Multiplex — and, the Multiplex: Book 1 print collection.  This is all due to the funding he raised for the book through a Kickstarter drive.

JUSTIFY MY HYPE

• The recent rock concert contest storyline at Ornery Boy has been great – both funny and Michael Lalonde has done an awesome job with animating key panels.  If you're going to do a flash comic than use it!  Ornery Boy makes great use of Flash's capabilities.
• It's a been awhile since I've linked to Freak Angels.  Things are happening again in the storyline and although I'm a bit annoyed that after a few years we still don't really understand the full logic of the "package" of the freak angels and their world, it's a hell of a comic.  I'll also just flag again that what Avatar is doing here seems like a pretty good model for a publisher-creator relationship in the webcomic world.  I'm not sure I've seen anyone else quite match it yet.
• The latest issue of Dark Horse Presents is out with webcomics from Graham Annable and others.

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