The Comixpedia End of 2005 Roundtable

A freewheeling discussion about the wide world of webcomics with Eric Burns, Wednesday White, Phil Kahn, Giland Pellaeon, Bob Stevenson, Ping Teo, Daku, Karl Kuras, Doctor Setebos and William G, moderated by Xaviar Xerexes.

You may have noticed that in 2005, the "webcomics blogosphere" took off like never before. There were almost as many people writing about webcomics as making them (okay not really, but there were a whole lot more blog posts about webcomics this year.) We gathered together several popular bloggers for an online roundtable discussion on webcomics here at the tail end of 2005.

We talked about webcomics and creators, art and commerce and of course, webcomics drama. Plus some predictions for the year ahead.

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Will Eisner’s John Law by Gary Chaloner, Reviewed by Xaviar Xerexes

NOTE: This is a parallel review in which we have two reviewers looking at the same comic. The other review is by Andrew Leal.

John Law is a character, originally created by Will Eisner in the 1940s, whom he ultimately did not actually publish. Instead he repurposed the work he did for this character into stories for his more well-known comic, The Spirit. Despite some claims to the contrary, the full-fledged character of John Law only appeared in print when Eclipse Comics published a one-shot book in 1983 titled John Law, Detective #1. Continue Reading

Keep on Schlockin’ in the Free World by Xaviar Xerexes

Howard Tayler loves the puns. And the guns. Oh, does he love the guns.

Tayler’s Schlock Mercenary is one of the monster strips of old school webcomics with archives stretching back to June of 2000. Tayler has been plotting the adventures of one androgynous blob named Schlock for almost 5 years now, every day of every week of the year.

And to think it all started with one little "ommmmminous hummmmmmmm…"
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Five Years of American Elf, Reviewed by Xaviar Xerexes

American Elf: The Collected Sketchbook Diaries of James Kochalka compiles five years of Kochalka’s journal comic into one volume. Most narrative artforms engage in at least some bit of hyper-reality, that is condensing stories to leave out the boring or nonessential parts. What can we make of a book then, that is comprised entirely of bits and pieces, and is just as likely to leave out important events as include them?

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