Zortic by Mark Mekkes, reviewed by Stelas

Zortic, a science-fiction webcomic created by Mark Mekkes and hosted by Keenspace, tells of the continuing adventures of a little green man in a flying saucer with his friends, as they putter about the universe. The protagonist, Zortic, is urged by his co-burger-flipper and prospective girlfriend Zoie to enter a gameshow – thanks to his knowledge of late twentieth century Earth TV trivia – in an attempt to win some money to pay back his student loans. Continue Reading

Revenge of Kung Fool by HyungKim Sun

The Webcomic Blues

I got those webcomic blues, pretty baby,
And I got those webcomic blues.

***

Got me a comic strip, it be on the net.
Got me a comic strip, it be on the net.
Free for everybody, ain’t helpin’ my debt.

Can’t draw for nuthin’, no one seems to mind.
Can’t draw for nuthin’, no one seems to mind.
Four panels, punch-line, jus’ another grind.

Feel like a junkie, always needing hits.
Feel like a junkie, always needing hits. Continue Reading

Art and Narrative: A Regular Eisenstein, Or Something…

A Regular Eisenstein, Or Something…

That comics and film have much in common is pretty much a given. The bond they share as mediums of visual communication is strong, and over the years there has been a great deal of cross-pollination between the two artforms. I’m not talking about comic adaptations of films or films based on comic books – although there certainly are a lot of those these days – but rather the nuts and bolts that hold the two mediums together. Continue Reading

The Blue View: Dial-A-Webcomic

Before there were modems, and back when the function of the pound key was still a mystery to us, we started a simple but enticing service on a home phone line with a home phone machine that would inform and often eclipse the rest of our band’s output…Almost every track on this compilation started its life on Dial-A-Song. The biggest challenge to They Might Be Giants as a musical project was clear to us before we even started: This thing needed a lot of songs. …It helped us become less precious and a lot more prolific…"

-Liner Notes, Dial-A-Song (Twenty Years of They Might Be Giants), They Might Be Giants

I love that last line.

(I also love the way they use the word ‘inform’ because they sort of let slip that they know how to talk like rock critics, and perhaps rock critics inform TMBG’s own writing.) But the line that really grabs me — as a creator of ephemeral entertainment — is that part about the Dial-A-Song making their songs less precious. That’s it, exactly. If you’re going to have a thousand babies, you can’t treat each one like a crown jewel. Raise it right, give it what it needs, but don’t dwell on it, and don’t try to control the parts you can’t control.

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Why Do Online Comics: Comics For Comics Sake?

Art for Art’s Sake rejects the idea that the success of an art object can be measured by its accuracy as a representation or the effectiveness with which it tells a story or suggests a moral. Instead, it implies that an art object is best understood as an autonomous creation to be valued only for the success with which it organizes color and line into a formally satisfying and therefore beautiful whole. Smithsonian – Freer Gallery Of Art

So what, then, is an online comic for online comics’ sake? Continue Reading

The Wandering Ones by Clint Hollingsworth, reviewed by Kelly J Cooper

When reading a webcomic, one usually hopes to be amused, drawn into the story or, on a good day, both. Outside of the occasional sketchbook tutorial, getting an education is typically low — if even present — on the list of webcomic reader expectations. You certainly don't count on learning about the difference between canine and feline tracks, or how to interpret the events behind said identified tracks… but that is exactly the kind of education that creator Clint Hollingsworth manages to offer in The Wandering Ones, in addition to telling a pretty damn good story.

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Cascadia by Clio Chiang, reviewed by Matt Trepal

The great Yin/Yang of comics is Art and Story. Can a comic have one without the other and still be considered a quality comic? If a perfect balance between the two cannot be achieved, can the lesser factor at least refrain from becoming a hindrance to the comic? This is a delicate operation, one that may require extra work on the part of the creator to pull off. Cascadia, created by Clio Chiang, has pretty artwork, but zen or no, her writing could use a bit of direction. Continue Reading