MoCCA Has Big Exhibit on Webcomics

The Museum of Comic and Cartoon Art (MoCCA) is proud to announce its upcoming exhibit: Infinite Canvas: The Art of Webcomics, set to open on Sept. 13.

"Infinite Canvas: The Art of Webcomics” brings comics from the web page to the MoCCA stage. The exhibit explores three aspects of online comics: the unique format and design of webcomics, their appeal to niche audiences, and the transitions between web and print comics.

Curator Jennifer Babcock, who also draws the syndicated webcomic C’est La Vie, explains that webcomics are free of the space constraints and editorial censorship to which printed comics are often subjected. Webcomics also provide an outlet for a greater diversity of creators and audiences, she says, resulting in numerous niche-specific features.

This exhibit incorporates original artwork, prints of finished art, and digital displays. Featured in the exhibit will be the immensely popular Penny Arcade, PhD, Sluggy Freelance, User Friendly, Diesel Sweeties, Mom’s Cancer, Finder, Supernatural Law, Something Positive, Scary Go Round, Young Bottoms in Love, Narbonic, Goats, and “My Obsession with Chess” by Scott McCloud, among many others.

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Great Interview with Perry Bible Fellowship Creator Nicholas Gurewitch

10 Zen Monkeys has a good interview with Nick Gurewitch, the creator of one of the funniest comics going right now, The Perry Bible Fellowship. The first book collection of the comic, The Trial of Colonel Sweeto, is out and includes comics from the web as well as comics that are not online.

The Bygone Bureau blog also has a very recent interview with Gurewitch. Continue Reading

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New ebook Product From Amazon

According to this NYTimes article, this October Amazon.com is going to debut the Kindle, an electronic book reader that will wirelessly connect to Amazon’s site (Engadget has a picture and more speculation on it here). (The article also predicts that Google will charge for online access to the digital copies of some books in its database). Interestingly the article suggests that Sony’s ebook reader (released last year) is doing well.

It’s another platform that could be used to distribute/publish comics if it actually takes off. One potential issue for indie comic makers though will be how Amazon deals with distributing books to the Kindle and whether it charges publishers for that.

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10 Years of Sluggy Freelance

Just listened to NPR's interview with Pete Abrams on the 10th anniversary of Sluggy Freelance. The NPR host actually does a really good job at the start of describing the main characters. The links come from a recent post at FLEEN. The key "reveal" in the interview: his great grandmother on his mother's side was named Sluggy Freelance (yes he's kidding).

Two things to add: my understanding is that Pete makes the bulk of money now from his Defenders subscription (essentially a "patron" sort of model); and Pete has always remained a bit secluded from the rest of webcomics. He didn't link out much and other than participating in the very first Fright Night event I don't think he's really done "community" stuff. In part I'm sure it's because he never needed to (Sluggy was the Penny Arcade of its day back in the last century in terms of being much more popular than its nearest competitor.)

RELATED COMIXTALK ITEMS: Review of Sluggy Freelance, a recent interview (June 2007) with Abrams and a 2003 community interview with Abrams.

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End of the Summer Edition of What’s On My Monitor

I had a good summer – hope you all did too. I tend to leave open a lot of windows in Firefox thinking I’ll get to writing a snappy comment about them and often never do. Let’s see what I can come up with while I close out my summer readings….

THE LOWDOWN ON DOWNLOADS 

  • WOWIO is a site that offers a lot of comics (and ebooks too) for download, some of them free.  There’s a good post by T Campbell here on his experience working with the site to offer his comics and over here is some skepticism from FLEEN.  Campbell reveals that he gets 50 cents per unique download of his comic.  I signed up myself earlier this year with a "non-anonymous" email (I think I used a comixpedia.com one) and don’t remember being bothered by the information requested.  If the information requested did bother me well here’s a tip.  For a lot of sites I use a set of information I’ve created to give to sites I think anonyingly ask for too much information.  That way they know nothing about me and yet I can remember the "information" if I need it later for some reason (like recovering a password).  I don’t think of it as all that different than giving physical stores made up zip codes when they ask for one (which I do all the time too).  (There’s some regional group of newspapers websites – including this one – that asks everytime you read a story for your birthdate, gender and zip code.  That is damn annoying!)

JUSTIFY MY HIP HYPE YOU DON’T STOP

INTERVIEWS

MILESTONES

DEAD TREES

PIXTIONARY

AROUND THE WORLD IN 80 BLOGS

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Every Content Industry Is Facing Major Change… But Does Comics Have a Rick Rubin?

This is an utterly great article in the NYTimes Magazine about the chaos in the music industry and superstar producer Rick Rubin’s new gig as co-CEO of Columbia Records. Rubin has made great albums with unknowns (Beastie Boys, RHCP) and so-well-knowns (Johnny Cash, Neil Diamond) and now he’s trying to reinvent Columbia Records. It’s not an easy project and it’s not clear there’s any easy path to success.

Like all content industries comics is going through big changes. I’m not sure who the equivalent of Rick Rubin would be for comics. Could you imagine handing over the reins of Marvel to Warren Ellis? I’d like to see that future actually…

UPDATE: While we’re here let’s throw in a link to a recent on-webomics post from our wandering Websnark, Eric Burns. The first half is nice review of how wrong Berke Breathed was about the path of the comics industry when he introduced his newspaper strip Opus. Breathed tried to draw a newspaper-only line in the sand and the sand has shifted so much that he’s now on Salon and the web with everyone else. (The other half of Burns’ post is musing about conspiracies between the Washington Post newspaper and the Washington Post Comic Syndicate to gin up controversery over a recent series of Opus strips on religon. Note to Eric: The paper Washington Post doesn’t even play that nice with the website Washington Post (they are two different divisions actually) so I’d say odds are pretty good that the paper and the syndicate don’t talk much either.)

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Your Comic Is Your Therapy

Every once in a while, I feel like punching someone in the face. A crazy person with a chicken intheir hands will approach me on the subway and demand I give up my seat for her, because it’s their “special” seat. Other times, the nice people at my cable company’s tech support will keep asking me to wait another week before sending the signal, which doesn’t come a week later, which prompts me to call, which leads the nice people to ask me to wait another week, in a never ending cycle.

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