Scott Kurtz hits 10 years of PvP on the web.
What — it only took 10 years for Brent and Jade to tie the knot?
You’ve come a long baby!
MILESTONES
Berke Breathed is bailing on the funny pages again. NPR reports on Opus leaving the newspapers right around this year’s election. Breathed says he will focus on children’s books. I loved Bloom County growing up but to be honest haven’t been that enraptured by the two sequel strips.
BOO!
Sean Kleefeld talks up the horror-themed collective of webcomics, Split Lip.
TOOLS
The US Daily reports on two "comics" creation tools: "My Comic Book Creator" and "Comic Life".
INTERVIEWS
REVIEWS
BUSINESS
Sean Kleefeld muses about why one would buy the book after reading the webcomic? He kind of stumbles onto Jon Rosenberg’s greater theory of swag support: have a bunch of physical stuff for a reader to buy…
MOVIE MAYHEM
Reuben Bolling on watching a preview of The Watchmen movie:
It seems that it was the success of director Snyder’s "300" that gave him the clout to reject the studio’s re-imagining of Watchmen as a War on Terror shoot-’em-up, and go back to the source material. Based on what I saw, it’s hard to imagine a fan of the comic book being angry or disappointed that the movie strayed from the comic.
AROUND THE BLOGS AND BACK
Chuck Rozakis has a column at ComicMix sprinkling a little bit of econo-speak over the fact that really good creators of webcomics get a disproportionate number of fans. It is a nice way to put it — in a world of access to all choices available most people will take the "best" option as opposed to a second or third-rate option and so if you’re webcomic is the "best" you’re going to collect all the potential fans (Hence the use of "superstar" in his column title). But of course, "best" is going to be somewhat subjective and not all "fans" or "readers" are going to be interested in the same things so it’s a bit more complicated. We’ve also looked at this distribution as a power law (here, here for example) and had some discussion of how the "long tail" of it can still provide opportunities for creators to connect with readers by providing a smaller group of fans exactly what they’re looking for.
I think I failed to mention both the 10 year anniversary and the "end" of Cigarro & Cerveja by Tony Esteves earlier in September. The last strip (although Esteves says there may be more on a very sporadic basis) is a nice ending to what was definitely an underappreciated strip. I finally got to meet Tony in person at last year’s SPX – I’m looking forward to his new comic project.
In a move that surprised no one and caused others to cower in a closet, praying for the dawn, the Marvelous Patric announced that his year-long story "Sad Little Life" in his comic Freaks N Squeeks has ended its second act.
MILESTONES
Evan Dham has finished his webcomic novel Rice Boy.
REVIEWS
Rob Clough does short reviews of a whole bunch of webcomics over at Sequart.
Mr Myth talks up Chainmail Bikini and Darths and Droids.
LEGAL
Neil Gaiman points out some trademarks issues and links to recent comics-related issues.
MOBILE SCREENS
Microsoft has Steve Niles, Dr. Revolt; Kime Buzzelli; and Gary Panter working on a graphic novel for the Zune called The Lost Ones. Wow… I guess Microsoft tries a lot of things but turning the Zune into a comics reader is surpising to me. (h/t Journalista!)
WRITING
Shannon Wheeler (Too Much Coffee Man) also throws out some self-promotion ideas he’s considering.
Another milestone — 5 years of Tom Truszkowski’s Station V3.
Scott Kurtz hits 10 years of PvP on the web.
What — it only took 10 years for Brent and Jade to tie the knot?
Five years of Butternutsquash – congrats to Ramon Perez and Rob Coughier! To celebrate, check out the archives, laugh at the wacky adventures of this gang of twenty-somethings and marvel at Perez’s fantastic artwork.
Yes, yesterday was Talk Like a Pirate Day… Aargh and me hearties and polly wanna cracker…
MILESTONES
INTERVIEWS
REVIEWS
JUSTIFY MY HYPE
Just listened to NPR's interview with Pete Abrams on the 10th anniversary of Sluggy Freelance. The NPR host actually does a really good job at the start of describing the main characters. The links come from a recent post at FLEEN. The key "reveal" in the interview: his great grandmother on his mother's side was named Sluggy Freelance (yes he's kidding).
Two things to add: my understanding is that Pete makes the bulk of money now from his Defenders subscription (essentially a "patron" sort of model); and Pete has always remained a bit secluded from the rest of webcomics. He didn't link out much and other than participating in the very first Fright Night event I don't think he's really done "community" stuff. In part I'm sure it's because he never needed to (Sluggy was the Penny Arcade of its day back in the last century in terms of being much more popular than its nearest competitor.)
RELATED COMIXTALK ITEMS: Review of Sluggy Freelance, a recent interview (June 2007) with Abrams and a 2003 community interview with Abrams.
First off – let me thank current advertisers La Muse: Season 2 and the Learn to Draw the Human Figure training course. We’ve got two more blog ad spots open right now if you’ve got a project or product to tell Comixtalk’s readers all about. (Those project wonderful ads up top seem to be going pretty cheap this morning right now as well)
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